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Platform on living heritage experiences and the COVID-19 pandemic


© UNESCO

Living heritage may be affected in different ways by the coronavirus (COVID-19) pandemic, while at the same time providing a source of resilience, solidarity and inspiration for many communities during these difficult times.

In this context, UNESCO has invited its partners to share their experiences related to intangible cultural heritage during the pandemic to help enhance our learning on the topic and inspire communities through the exchange of experiences.

We would like to thank those who have responded to the survey. Selected responses are presented on the map below in their original language (English, French or Spanish) and via the photo gallery.

  • Africa (13)
  • Arab States (12)
  • Asia and the Pacific (46)
  • Europe and North America (101)
  • Latin America and the Caribbean (81)
SEKOU BERTE (Mali)
9 April 2021

PRESENT DAY MALI AND THE CORONA VIRUS STRIKE 19 Brief overview on the Contextual Protecting Measures against Corona Virus 19 Strike In Mali most people have yet to be able to read and write among grassroots communities, except in the towns of Djenne and Timbuktu. Moreover, while ignorance and addicted religious orientation makes it harder to challenge controversial and fanatic behavioral interpretations of any social phenomenon; awareness raising campaign relating to the Corona Virus 19 Strike becomes even more challenging. People believe that Corona Virus 19 Strike speaks to pandemic virus manipulation under the politico-administrative control of the powers that be that are ruling ›››


VICTORIA PHIRI CHITUNGU (Zambia)
24 March 2021

one year ago Covid 19 was declared a pandemic, and the people of Monze in Southern province, Zambia were advised like everybody else to seek immediate medical attention when the disease is suspected , keep social distance, avoid crowds, wear masks in public and wash their hands with soap and water, or use hand sanitizers to keep the pandemic away. For people in the rural areas of Monze such as Chivuna in Chikuni area, like in most rural areas of Zambia have found it difficult to observe these health guidelines because items such as hand sanitizers, soap and masks are not only ›››


Festival International de Conte du Togo FESCONTE (Togo)
10 September 2020

Depuis 16 ans, l’Ensemble Culturel les Griots Noirs du Togo en partenariat avec la Compagnie Belerrance de France, organise le Festival International de Conte du Togo FESCONTE sous la Direction artistique de ATTIDOKPO Koffi M. Mario, dans le but de sauvegarder, de pérenniser et de promouvoir le conte au Togo, en Afrique et dans le monde. Déjà avant 2004, il n’y avait pas un seul festival international de conte au Togo et “les soirs au village”, des pratiques sociales de référence endogènes qui permettaient de réunir une famille, des familles voire toute une communauté autour du feu et/ou sous l’ ›››


(Ethiopia)
14 August 2020

Festivals in Ethiopia are typically colorful and exciting. The country has cultural, religious, and other festivals that can attract foreign tourists and local participants to come and gather to watch the procession and take part. The most known name of which held every year in Amhara and Tigray States is Shadey, Ashendye, Solel, Mariya, which is the name for a tall grass that young women usually tie around their gowns as a type of decoration. The celebration days also herald the freedom of young women. It is a popular festival which reverberates the voice of young women loudly. Culturally, Ashendiye ›››


Hindou Oumarou Ibrahim (Chad)
10 August 2020

Hindou Oumarou Ibrahim is an indigenous woman from the Mbororo pastoralist community in Chad. She recently spoke with the Living Heritage Team in UNESCO’s Culture Sector about how her community is coping with the COVID-19 pandemic and its impact on their way of life. How is the coronavirus pandemic affecting your community and its living heritage? I am very scared for my community because we’re mainly pastoralists and we depend on the seasons. When it is the dry season, we migrate to other regions and sometimes to other countries – actually most of the time – then we come back to our region ›››


Hanan Ezzat / Paris 1 panthèon-Sorbonne Chercheuse (Egypt)
9 June 2020

L’Égypte, un pays connu pour ses hauts lieux culturels, a été durement touchée par la crise du coronavirus, les sites ont été fermés depuis mi-mars, le nombre de touristes a atteint 0 %. Dans ce contexte, le ministère du tourisme a lancé des visites virtuelles des tombes pharaoniques et des mosquées sur une plateforme numérique. En revanche, pour le patrimoine vivant, la situation était très critique puisque les festivals et les événements ont été annulés, ce qui a profondément affecté les communautés locales et autochtones qui vivent du tourisme et de l’événementiel. Du fait de cette situation, depuis le début de la crise, nous avons consta ›››


Hassan AIT AISSA (Etudiant-chercheur et co-fondateur de Tiniẓṛi Art & Heritage) (Morocco)
19 May 2020

En ces moments difficiles de pandémie, tout le monde est confiné chez lui. Du ce fait, les rencontres culturelles et les échanges entretenues entre les personnes n’a plus de place. Et comme vous le saviez, dans les sociétés à tradition orale tout le monde appris de tout le monde. ce qui fait que cette opération d’enseignement-apprentissage est affectée. En tant qu’équipe de jeune ayant l’esprit curieux de sauvegarder Notre patrimoine, condamné à l’oubli, culturel de la région de Dra-Tafilalta au Sud-Est du Maroc, nous avons sur le point de créer une association dédiée à la sauvegarde et à ›››


Rachid Ennassiri Co-fondateur de la plateforme Tiniẓṛi : Art & Heritage (Morocco)
17 May 2020

Alors que la pandémie prend de l’ampleur dans le monde et que la peur et la terreur s’emparent des âmes, les deux groupes Marocains de la musique Amazigh Tawargit et Amnay ont usés de leurs instruments musicaux pour apaiser les esprits en ces temps de confinement, en diffusant une surprise de taille à leurs fans annonçant la sortie de leur nouvelle chanson duo entre les deux groupes intitulée « Atig n Tamunt ». «Atig n Tamunt» qui veut dire la valeur de l’union est une chanson composée et écrite par les deux groupes ça fait 5 ans au sein du studio Tiwan Sound à ›››


Lassana Cisse (Mali)
7 May 2020

Le patrimoine vivant a été affecté de plusieurs manières. Certaines pratiques immatérielles ont été affectées ou complètement mises aux arrêts (c’est le cas par exemple des pratiques communautaires cycliques d’entretien du patrimoine architectural en terre dont celles de Djenné et Tombouctou. Les cérémonies rituelles (agraires et funéraires) et traditions des masques ne sont pas organisées comme d’habitude. La pandémie à l’origine des distanciations physiques et sociales a créé le défi de “vivre autrement” en dehors du contexte socioculturel marqué par la solidarité, le vivre-ensemble et les rencontres inter et intracommunautaires indispensables, vu la perception locale de l’espace habité ›››


Ahmed Skounti, Institut national des sciences de l'archéologie et du patrimoine (UNESCO facilitator) (Morocco)
21 April 2020

Morocco has been affected by the pandemic of Covid-19 since March 1st, 2020. Among other measures, a health emergency state has been decided. A confinement has been set up for one month since March 20 and now extended until May 20. This means that ICH activities have been cancelled or postponed. These examples can be given : 1. The programme Sauvegarde et valorisation des savoirs et savoir-faire menacés de disparition et liés à l’artisanat has been suspended. Workshops on the inventory have been postponed. As I’m a facilitator for these workshops, I could not deliver this work for the moment (see link 1 below). ›››


Phuthadikobo Museum (Botswana)
11 April 2020

Our organisation works closely with practitioners of living heritage. The practitioners deal with Earthenware Pottery Making Skills which was inscribed on the USL in 2012, while others are involved in Dikopelo Folk Music of Bakgatla ba Kgafela which was inscribed to the USL in 2017. Both sets of practitioners are unable to practice their living heritage because of the State of Public Emergency which was declared by the President. The State of Public Emergency declared simultaneously with extreme social distancing, also known as lockdown. The lockdown has restricted movement of people and public gatherings as well as placing living heritage in non ›››


Lazhar Mohamed - Faculté des Langues, Arts et Sciences Humaines -Ait Melloul (Morocco)
10 April 2020

La communauté berbère (amazighe) du Moyen Atlas marocain a renforcé sa résilience face à la pandémie en partageant des vers poétiques et des poèmes relatifs au COVID 19, dont on relate, d’une part, ce qui se passe dans le monde et au Maroc et dont on sensibilise les gens, d’autre part, à l’importance du confinement et de suivre les instructions des responsables et des médecins. Ce qui soulage plus, c’est que chaqu’un veut devenir poète… en faisant des essais de poèsie. Etant donné qu’on ne peut pas être tous des poètes, les collègues disent de certains poèmes ›››


Hilda M. Sinywibulula, Zambia National Commission for UNESCO (Zambia)
10 April 2020

The practice and transmission of this living heritage has been affected as a result of the COVID-19 restrictions/lock down. A number of traditional ceremonies and festivals have been postponed/cancelled. The cancelled practices are those with fixed time frames and are only carried out during particular months of the year. For instance, the Kuomboka ceremony which usually takes place in March or early April when the rivers are full or flooded will not take place this year. It has to wait for a new cycle of the year. The issue of social distancing has affected other activities such as ›››


The designations employed and the presentation in the texts and documents referenced in this platform do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities or concerning the delimitation of its frontiers or boundaries.
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