4.COM 14.11

The Committee,

  1. Takes note that Mongolia has nominated the Traditional music of the Tsuur for inscription on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, described as follows:

Tsuur music is based on a combination of instrumental and vocal performance – a blending of sounds created simultaneously by both the musical instrument and the human throat. Tsuur music has an inseparable connection to the Uriankhai Mongolians of the Altai Region, and remains an integral part of their daily life. Its origins lie in an ancient practice of worshipping nature and its guardian spirits by emulating natural sounds. The Tsuur is a vertical pipe-shaped wooden wind instrument with three finger holes. Simultaneously touching the mouthpiece of the pipe with one’s front teeth and applying one’s throat produces a unique timbre comprising a clear and gentle whistling sound and a drone. The Tsuur is traditionally played to ensure success for hunts, for benign weather, as a benediction for safe journeys or for weddings and other festivities. The music reflects one’s inner feelings when travelling alone, connects a human to nature, and serves as a performing art. The Tsuur tradition has faded over recent decades as a consequence of negligence and disrespect of folk customs and religious faith, leaving many locales with no Tsuur performer and no families possessing a Tsuur. The forty known pieces preserved among the Uriankhai Mongolians are transmitted exclusively through the memory of successive generations – a feature making this art highly vulnerable to the risk of disappearing.

  1. Decides that, from the information provided in Nomination File 00312, the Traditional music of the Tsuur satisfies the criteria for inscription on the Urgent Safeguarding List, as follows:

U.1:   Deeply rooted in the nomadic ways of life of the Uriankhai ethnic group of the Altai Mountains in north-western Mongolia, the traditional music of the Tsuur is an important part of the people’s relationship with their natural environment and a critical element in assuring their survival within it, as it accompanies daily activities and animal herding as well as religious ceremonies and rituals;

U.2:   Despite a growing awareness and concern about local and regional traditional cultural forms, and the willingness and active commitment of apprentices to preserving the element, the tradition of the Tsuur is threatened by developments such as an ever-growing appeal of cosmopolitan lifestyles, migration to urban areas, processes of urbanization and industrialization, the loss of the cultural contexts for its practice and the passing of Tsuur performers;

U.3:   An ambitious set of safeguarding measures, including the support of performers and teachers, the identification of aspiring players, or the preparation of audio-visual training materials, while raising the legal status of the Tsuur, addresses essential needs and can be expected to have a lasting impact on the element’s viability;

U.4:   The nomination has been elaborated with the active involvement of the Tsuur-playing community, in particular the Hunnic Tsuur Performers’ Association, key Tsuur performers, and communities in several counties that have shown their willingness to safeguard Tsuur playing and have given their free, prior and informed consent to its nomination;

U.5:   The Uriankhai Mongolian Tsuur is inscribed on the National Urgent Safeguarding List of Elements of Intangible Cultural Heritage and the National Registrar of the Elements of Intangible Cultural Heritage kept by the Cultural Heritage Center under the Ministry of Education, Culture and Science of Mongolia.

  1. Inscribes the Traditional music of the Tsuur on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding;
  2. Takes note with appreciation of the new interest emerging for the safeguarding of the Tsuur tradition, expressed by support and involvement of many people at the local, regional, national and international levels;
  3. Recommends that national cultural policies aiming at the safeguarding of the Tsuur music tradition, as well as other traditional practices, give due attention to promoting their continued relevance, viability and vitality, in addition to measures of collecting and cataloguing traditional practices;
  4. Further recommends that the State Party focus initial safeguarding measures on consolidating the Tsuur tradition at the local level and in close consultation with local representatives;
  5. Encourages the State Party to anticipate the impacts the proposed safeguarding measures may have on the element and to ensure that the introduction of new aspects that were formerly not part of the tradition, such as professionalization, be done with caution, so that the tradition may continue to have relevance to its community;
  6. Further encourages the State Party to widen the scope of its safeguarding activities to actively involve non-musician members of the communities, and to seek the inclusion of performers throughout the western provinces, as well as related musical traditions such as those of neighbouring ethnic groups, should they wish to participate in the revitalization and dissemination of their respective traditions.

Top