278 Results that matches your search criteria craft
Decision
cialist papermakers in an artisan’s association, for whom Sekishu-Banshi is the foundation of their craft and one of the most important parts of their cultural heritage. They pass their traditional techniques to young successors through hands-on training, preserving a sense of continuity and identity. Decides that, from the information provided...2 October 2009
Abu Dhabi
Decision
as follows: R.1: Transmitted from generation to generation, Mosi cloth weaving is a traditional craft that is rooted in the community and provides its practitioners with a sense of identity and continuity; R.2: Inscription of Mosi weaving on the Representative List could help to enhance global recognition of the diversity of hand-woven te...29 November 2011
Bali
Decision
The Committee, Takes note that China has nominated Chinese traditional architectural craftsmanship for timber-framed structures for inscription on the Representative List of the Intangible Cultural Heritage of Humanity, described as follows: Standing as distinctive symbols of Chinese architectural culture, timber-framed structures are found throu...2 October 2009
Abu Dhabi
Decision
17.COM : Examination of proposals to the Register of Good Safeguarding Practices
rkshops to help teachers learn contemporary weaving techniques and how to transmit this traditional craft to students. End-of-year school textile artwork exhibitions are also hosted at Sadu House to showcase the programme outcomes. Since the programme's inception in 2018, 30,959 students have completed the course, and sixty male and female art...3 December 2022
Rabat
Decision
f Oriental Manuscripts) Mr Jean ROCHE (Association nationale cultures et traditions) Ms Ritu SETHI (Craft Revival Trust) Ms Monika THERRIEN (Fundación Erigaie) Ms Rusudan TSURTSUMIA Mr Hans Konrad VAN TILBURG Authorizes the participation, as observers, in the sixth, seventh and eighth sessions of the Committee, of intergovernmental organizations...1 January 1970
Inscribed,Tinian marble craftsmanship The art of marble-carving is an expression of the cultural identity of Tinos. Marble craftspeople possess empirical knowledge of the composition and structure of marble-bearing rock, the properties of each kind of marble, and the manipulation of its veins. Marble-carving workshops produce a range of traditional... Greece
Decision
yer’s feelings and moods, and an inability to master a performance is considered a misfortune. Women craft the instrument from half a dried, hollowed-out gourd: a skin is stretched across the open side and pierced with sound holes in the shape of rosettes, and a wooden bridge in the shape of a V is then added. Imzad musical knowledge is transmitt...7 December 2013
Baku
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mportant skills in relation to the structure and formation of performing arts mentioned in the previous clause. For craft techniques, the first three criteria are applied, with ‘art history’ being replaced by ‘the history of craft techniques’. By comparison, to be designated as ‘Important Intangible Folk Cultural Properties’, performing...
Decision
twentieth century four-fifths of residents were so engaged, but by mid-century the viability of the craft was in doubt because of competition from machine-made paper, until revitalization efforts began in 1960. The members of the Association for the Preservation of Hon-minoshi Papermaking, who come from two families, transmit this technique to the...29 November 2011
Bali
Decision
rtain rituals, such as the ceremonial casting of royal batik into a volcano. Batik is dyed by proud craftspeople who draw designs on fabric using dots and lines of hot wax, which resists vegetable and other dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water and repeati...2 October 2009
Abu Dhabi