6.COM : Evaluation of proposals to the 2011 Register of Best Safeguarding Practices
follows: The Voice of the Voiceless programme aims to safeguard expressions of music, rituals and dance that form part of the intangible heritage of Latin America. It focuses particularly on cultural communities that have been historically marginalized and deprived of a voice, such as indigenous groups and people of African descent. The programme...29 November 2011
Bali
__International Assistance in action__ - dialogue on safeguarding living heritage
been an independent expert in heritage since January 2017. Uganda Safeguarding and promotion of Bigwala gourd trumpet music and dance of Busoga Kingdom in Uganda Irene NABIRYE, Community leader from Nabitende...Date: Monday, 4 June 2018 Hour: 13:45 – 15:00 Place: Room IV Invited speakers: Colombia: Nelson ORTIZ and Tarcicio VANEGAS. Mali: Lassana CISSÉ. Uganda: Irene NABIRYE, and James ISABIRYE....9 February 2022
Report on the implementation of the Convention
ntre for Children operates in boarding schools and children’s homes in Yerevan, teaching knowledge and skills related to folk songs and dance, applied and decorative arts, crafts, carpet weaving and playing musical instruments. There is a plan to open new branches in other regions of the country. Non-formal education has also been introduced in o...
Report on the implementation of the Convention
rder to support traditional performing groups, festivals and competitions of folklore and ethnographic groups; song and dance ensembles; maqom ensembles; artists of ancient musical instruments and folk puppet groups feature regularly. Many international festivals have been organised by non-governmental and non-profit organisations from 2008 to 2012...
Report on the implementation of the Convention
Slovak Intangible Cultural Heritage Centre, an organizational unit of the Slovak State Traditional Dance Company (SĽUK), was designated in 2008 as the competent centre for this area. There are three institutions that offer training programmes in intangible cultural heritage: (1) the Constantine the Philosopher University in Nitra (Department of E...
ages. Nepal’s rich cultural heritage, evolved over centuries, largely manifests itself in music and dance; arts and traditional crafts; oral traditions, folklore and folktales; spiritual belief and religions; festivals and celebrations, and rituals and social practices. Aware of the importance of the intangible cultural heritage (ICH), Nepal rati...21 November 2016 - 25 November 2016
Kathmandu
ritage in their own right and not just as a ‘vehicle’ of it, and others explicitly mention ‘music and dance’ rather than the term ‘performing arts’; still others consider music separately from dance, and so on. However, numerous categories in national inventories can be easily accommodated under one or more of the domains outlined in t......18 October 2018
edro Sacatepéquez as an integral part of its cultural heritage and identity; associated rituals, music, dance, processional and food practices are transmitted from grandparents to grandchildren who accompany them while performing different daily tasks; U.2: Due to the decreasing number of practitioners, their age and their economic insecurity...7 December 2013
Baku
ommunities to promote harmony. It has inspired oral traditions, works of art and performances of music and dance that have enriched the practice as an element of the country’s intangible cultural heritage. Decides that, from the information included in the file, the nomination satisfies the following criteria: R.4: The submitting State demo...2 December 2016
Addis Ababa
ng the Botswana border. The ancestral practice is characterized by rituals, prayer, feasts, song and dance. It is a collaborative practice involving traditional leadership, distinct roles, and the participation of the entire community. The related knowledge and skills are transmitted through observation, regular practice and mentoring, with new pra...6 December 2024
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