Rapport sur l'état d'un élément inscrit sur la liste du patrimoine culturel immatériel nécessitant une sauvegarde urgente
A. Page de couverture
A.1.
État partie
Nom de l'État partie
Portugal
A.2.
Date du dépôt de l'instrument de ratification, d'acceptation, d'approbation ou d'adhésion
Elle peut être consultée en ligne.
Date of deposit of the instrument of ratification, acceptance, approval or accession
2008-05-21
A.3.
Élément inscrit sur la Liste de sauvegarde urgente qui fait l'objet du présent rapport
Nom de l'élément
Bisalhães black pottery manufacturing process
Inscrit en
2016
État(s) soumissionnaire(s)
Portugal
A.4.
Période considérée dans le présent rapport
Veuillez indiquer la période couverte par le présent rapport.
Reporting period covered by this report
2016 - 2020
A.5.
Autres éléments inscrits sur la Liste de sauvegarde urgente, le cas échéant
Veuillez établir une liste de tous les autres éléments présents sur le territoire de votre pays qui sont inscrits sur la Liste de sauvegarde urgente et indiquer en quelle année ils y ont été inscrits ; pour ce qui est des éléments multinationaux, veuillez indiquer quels autres États sont concernés.
Other elements inscribed on the Urgent Safeguarding List, if any
La fabrication des sonnailles (2015)
A.6.
Synthèse du rapport
Veuillez fournir une synthèse du rapport, qui permette au grand public de comprendre l'état actuel de l'élément, mentionne toute incidence positive ou négative de son inscription et fasse état des mesures de sauvegarde mises en œuvre pendant la période considérée et leur possible mise à jour les années suivantes.
Executive summary of the report
The Bisalhães black pottery manufacturing process is at a very delicate stage. In fact, in spite of the positive impact of the inscription at the UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding, the most important problem identified was devastating: in the last years the wife of a potter died – D. Adorinda Martins Sigre – as well as the potter Sezisnando Ramalho, this November. Beside, Potters Manuel Martins and Cesário Martins, have serious health problems and almost stopped working – their production decreased substantially. One of the women (Maria de Fátima da Cunha Macário) that participated actively in the manufacturing process, accompanying the potter Jorge Ramalho, left the village.
On the positive side, lots of activities included in the safeguarding plan were accomplished. An application to European Union funding was approved, and it will allow to implement the most part of the safeguarding plan measures – and others – in the next years.
The inscription at the UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding had a huge impact on the visibility of this artwork and its practitioners. Social media granted good coverage of the tradition and its bearers, and the village was visited by national politic personalities, during national events that took place in Vila Real or nearby. On the negative side, some confusion was made (even among the potters) regarding the funding of the activities preconized in the safeguarding plan. Some people thought that the inscription at the UNESCO list granted some kind of funds to the City Council, therefore misunderstanding its role as main funder of the plan itself.
Finally, it must be highlighted that the two younger potters maintain their activity, as well as the growing interest shown by the community (even if sometimes not understanding the Municipality work and intentions), and the surging of other young designers/practitioners interested in knowing and developing the Bisalhães black pottery tradition.
The implementation of safeguarding measures during the reporting period wasn’t as easy as one could think. The international economic crisis, and its local consequences, forced the City Council to review its priorities, mostly due to the social impact in the community. Nevertheless, The City Council made an effort to find financial EU aid, and successfully applied to a Program for EU funding, that was meant to be implemented this year. But the Covid-19 pandemic forced the suspension of most of the planned activities, that are supposed to take place in the near future.
A.7.
Personne à contacter pour la correspondance
Donnez le nom, l'adresse et les coordonnées d'une personne à qui toute correspondance concernant le rapport doit être adressée.
Titre (Mme/M., etc.)
Mrs.
Nom de famille
Almeida
Prénom
Eugénia Margarida Coutinho da Silva
Institution/fonction
City Councilor for Culture, Vila Real City Council
Adresse
Avenida Carvalho Araújo
5000-657 Vila Real
Numéro de téléphone
(+351) 259 308 100
Adresse électronique
eugeniaalmeida@cm-vilareal.pt
Autres informations pertinentes
The technician responsible for submitting this report is Mrs. Gina Telmo, Director of the Municipal Museums of Vila Real City Council.
E-mail address - ginatelmo@cm-vilareal.pt
B
Ms
B. État de l'élément inscrit sur la Liste de sauvegarde urgente
Veuillez vous référer au dossier de candidature ou aux précédents rapports, le cas échéant, pour savoir quand établir un rapport sur l'état actuel de l'élément et ne rendez compte que des changements pertinents survenus depuis la date de son inscription sur la Liste ou depuis le précédent rapport. Les dossiers de candidature, les calendriers spécifiques et les précédents rapports, le cas échéant, sont disponibles à l'adresse suivante : https://ich.unesco.org ou peuvent être demandés au Secrétariat.
L'État partie s'efforce de prêter une attention particulière au rôle du genre et d'assurer la plus large participation possible des communautés, des groupes et, le cas échéant, des individus concernés ainsi que des organisations non gouvernementales pertinentes pendant le processus de préparation de ce rapport ; il lui est demandé au point D ci-dessous de décrire de quelle manière il y est parvenu.
B.1.
Fonctions sociales et culturelles
Expliquez les fonctions, les significations sociales et culturelles de l'élément aujourd'hui, au sein et pour ces communautés, les caractéristiques de ses détenteurs et de ses praticiens et décrivez, entre autres, toute catégorie de personnes exerçant un rôle ou des responsabilités spécifiques vis-à-vis de l'élément. Une attention particulière devrait être accordée à tout changement pertinent susceptible d'avoir des répercussions sur le critère d’inscription U.1 (« L’élément est constitutif du patrimoine culturel immatériel tel que défini à l'article 2 de la Convention »).
Social and cultural functions
Being a potter became a more respected job in Bisalhães and in Vila Real. The potters themselves feel recognized by their community and by the more and more visitors that come to Vila Real, and they are proud identifying themselves as artisans. The biggest problem is the age of most of the potters. Four of them have 80 or more years, and the younger ones are in the forties and fifties. The practice continues to be seen not as a job, but as a hobby, or as a complement to their monthly wages or retirement funds. The personal relationship remains difficult with some of the potters (and between them as well). The women’s roll in the manufacturing process maintains its importance, currently less focused on the hardest part of the clay transformation, and more at the decoration and the kiln preparation.
The intergenerational transmission of know-how, as in many other pottery centres in Portugal, is customarily accomplished almost exclusively within each family. Kinship relations are also important along all the operational chain, which involves collaboration with other members of the potter's family, usually following a division of tasks by gender and generation. However, this gender/age-based division of labour has gradually become blurred, and men now execute tasks that were traditionally performed by women and children, such as the hard work of clay preparation.
B.2.
Analyse de sa viabilité et risques auxquels il est actuellement exposé
Décrivez le degré actuel de viabilité de l'élément, en particulier la fréquence et l'étendue de sa pratique, la vigueur des modes de transmission traditionnels, la composition démographique des praticiens et des publics, et sa durabilité. Veuillez aussi identifier et décrire les facteurs qui, le cas échéant, constituent une menace pour la pérennité de la transmission et de la représentation de l'élément et indiquez le degré de gravité et de proximité de tels facteurs, en accordant une attention particulière à tout renforcement ou affaiblissement de la viabilité de l'élément suite à son inscription.
Assessment of its viability and current risks
The manufacturing process still active in Bisalhães. Querubim Rocha continues to work in his office in Bisalhães, and the same does “the sculptor” Albano Carvalho. Querubim even cleaned up his office, once he felt the crescent look for the potters and their pottery in the village itself. Jorge Ramalho continues to work in a regular basis, and increased his production. The younger potter, Miguel Fontes, also increased his production, as well as his pedagogical performance, in a partnership with the City Council. However, the potter Sezisnando Ramalho passed away, as well as D. Adorinda Sigre, wife of Cesário Martins. He almost stopped working, as his brother Manuel Martins did, since both have serious health problems – their productions substantially decreased.
Some of the younger generations in the potters’ families start to show some interest in learning their relatives’ skills and know-how.
As threats, we can identify the difficulty that the potters from Bisalhães have in accepting new practitioners that don’t come from the village or their families. Even if they organize some workshops (as Jorge Ramalho does), the tradition is kept inside the village. The modernization of some of the processes isn’t well seen by the potters. The electrification of the potters’ wheel isn’t a practice, and the transformation of the clay continues a hard work that some mechanization could ease, but it’s seen as contrary to the ancestral practice and to the inscription in the UNESCO List.
The access to the clay itself is more difficult, nowadays, as the tile factories where the potters went to get it are now closed.
The potters are also afraid of the growing of objects that can be mistaken as Bisalhães pottery, and they don’t usually like to produce new design pieces, if they don’t create them themselves.
B.3.
Mise en œuvre des mesures de sauvegarde
Veuillez rendre compte des mesures de sauvegardes qui ont été décrites dans le dossier de candidature et dans un précédent rapport, le cas échéant. Décrivez de quelle manière elles ont été mises en œuvre et ont contribué de façon substantielle à la sauvegarde de l'élément au cours de la période considérée, en tenant compte des contraintes externes ou internes telles que des ressources limitées. Incluez en particulier des informations sur les mesures prises afin d'assurer la viabilité de l'élément en permettant à la communauté d'en poursuivre la pratique et la transmission. Fournissez les renseignements suivants en ce qui concerne la mise en œuvre de l’ensemble des mesures de sauvegarde ou du plan de sauvegarde :
B.3.a.
Objectifs et résultats
Indiquez quels objectifs principaux ont été atteints et quels résultats concrets ont été obtenus pendant la période considérée.
Objectives and results
The safeguarding plan proposed aimed essentially at preventing the disappearance of the knowledge associated with the manufacture of Bisalhães black pottery.
Raising-awareness among younger generations regarding this tradition was also a main objective, as well as creating conditions to improve the economic sustainability of this traditional craft.
Another key objective involves the improvement of the working conditions for the existing potters.
The safeguarding plan is also aimed at strengthening the profitability of this craft, in particular by enhancing awareness of Bisalhães black pottery, regionally, nationally and internationally.
The last four years have been very important for Bisalhães black pottery. Even if some of the activities didn’t took place, there was an investment in the divulgation of the potters and of the pottery. On the other side, Bisalhães black pottery was the theme of many urban art interventions, as well as the subject for studies, academic works and several scientific publications and communications in heritage and handcraft events. Radio and TV shows took place, inviting regional, national and international public to know and visit Vila Real and Bisalhães. The pottery was also included in important tourism routes, such as the National Road N 2, and visits to Bisalhães almost triplicated. The potters’ sale and working points suffered interventions, i.e. new painting and pre-installation of electricity.
After the inscription, and thanks to the new visibility of the element, the demand or pottery increased, the local restaurants invested in presentation with Bisalhães pottery and the majority of regional institutions started to choose Bisalhães pottery trophies, to offer in their activities, following the example of the Vila Real City Council.
B.3.b.
Activités de sauvegarde
Dressez la liste des principales activités menées au cours de la période considérée pour obtenir ces résultats escomptés. Veuillez décrire les activités en détail en mentionnant leur efficacité et tout problème rencontré dans leur mise en œuvre.
Safeguarding activities
The implementation of the safeguarding plan didn’t occur quite as planned initially. In the beginning of 2018 the technician responsible for the Inscription file (and the safeguarding plan) left the City Hall, and the transition to the actual person took some time. The international economic crisis, and its local consequences, forced the City Council to review its priorities, mostly due to the social impact in the community.
Nevertheless, the City Council made an effort to find financial EU aid, and successfully applied to a Program, that was meant to be implemented this year. But the Covid-19 pandemic forced us to stop most of the planned activities that are supposed to take place in 2021 and 2022.
Key activities:
Requalification of the potters’ sale and working places in Vila Real. It was a request of the potters, but after the intervention none of them finished the required installation of the electric panel.
Support to the potters’ participation at “Feira dos Pucarinhos”, building the individual stands and creating information supports. Unfortunately, only two of the potters participate actively, Miguel Fontes and Albano Machado. Trying to diversify the animation and attract different publics, the City Council created the concept “Black Night”, an event that proposes gatherings, dinner and amusement with the focus on the black pottery. The Covid-19 pandemic prevented its concretization, this year.
The Vila Real Museums maintained their prolific activity concerning the Bisalhães pottery, with dozens of workshops (“small potters”) realized, at the Museums or at schools of all the Municipality.
The Municipal Theatre, in partnership with the Bragança Theatre, created an original show, “Clay – wet soil where the boot slips”, with the participation of the community of Vila Real.
The Bisalhães pottery is highlighted in all the National and International Cultural and Tourism Fairs where the City Council participates, such as BTL (Lisbon) and Xantar (Ourense, Spain).
First Edition of the National Encounter on Bisalhães Black Pottery, in the Vila Real Theatre, with the participation of all the community, including some of the potters, that were included in a discussion panel.
In association with the CTT (National Post Office), a series of stamps was created, allusive to the Bisalhães black pottery.
Since 2016, every edition of the “Pitoresco – Street Art and Graffiti Festival” had interventions allusive to Black pottery: a big mural, representing one of the potters; several workshops with young kids, painting previously bought pottery; electrical boxes in public spaces, crossing black pottery with famous artworks (Magritte, for example); exhibitions in different spaces along the city; postcards and photography publication.
Tribute to the Bisalhães potters in a new roundabout in Vila Real, with the creation of a big sculpture representing a traditional jug. Almost all of the potters were there for the opening event.
Bisalhães black pottery was the theme to several communications in national events, in Oporto, Guimarães, Tomar, Vila Real, Macedo de Cavaleiros and Santo Tirso, some of them with the participation of Miguel Fontes, Bisalhães’ potter, with demonstration of his work and report on his knowledge and activity.
Presence in national and international media, in more than 40 TV shows, radio programs and publications (egg. “MorningCalm”, from South Corean Flight Company, or “Know-how of Bisalhães potters is ICH”, Encounter resumes, ed. NEGEP/UNIRIO/CITCEM; Rio de Janeiro).
B.3.c.
Participation de communautés, de groupes ou d'individus aux activités de sauvegarde
Veuillez décrire de quelle manière les communautés, les groupes ou, le cas échéant, les individus ainsi que les organisations non gouvernementales pertinentes ont participé de façon effective à l'exécution des mesures de sauvegarde, y compris en termes de rôles du genre. Décrivez le rôle joué par l'organisation ou l'organe chargé de l'exécution (dénomination, informations de référence, etc.) et les ressources humaines qui ont été mises à disposition pour la mise en œuvre des activités de sauvegarde.
Participation of communities, groups or individuals in the safeguarding activities
Almost all of the activities were implemented by the Vila Real City Council. The municipal cultural and technical departments had a major leading part, such as the Vila Velha Museum, the Archaeologic and Numismatic Museum, the Public Library, the Municipal Literary Guild and the Municipal Theatre. More than 50 technics were involved in all the processes.
The Local Parishes of Vila Real and Mondrões (that involves Bisalhães village) were also an active part in the implementation of some of the activities.
Cultural local organizations, such as “Covilhete Brotherhood” (“covilhete” is a veal pie, typical from Vila Real, that was originally made in a Bisalhães small pan, called “covilhete”), are City Council’s partners in promoting black pottery and its traditional uses, mostly in culinary.
National Companies, as EDP – Portuguese Energy Company or CTT – Portuguese Post Office participated in the implementation of two important measures, the requalification of the potters’ sale and work points and the national and international divulgation of Bisalhães pottery through stamps.
The organizers of cultural events and the regional and national Artists, by being sensible to the theme and integrating it in their works, for example in the “Pitoresco” Murals, in exhibitions at the Museums and in photography.
Finally, but the most important, the potters and their families, by transmitting their knowledge to their youngers and by participating in Encounters, TV shows and Workshops.
B.3.d.
Calendrier
Indiquez, sous forme de calendrier, les dates de mise en œuvre de chacune des activités.
Timetable
2016-2020 - Requalification of the potters’ sale and working places in Vila Real.
2016-2019 – Support to the potters’ participation at “Feira dos Pucarinhos”. In 2020, because of the pandemic state, it took place in the Archaeologic Museum.
2017-2019 – “Black Night”, an event that proposes gatherings, dinner and amusement with the focus on the black pottery. The Covid-19 pandemic prevented its concretization, tin 2020.
2016-2020 – The Vila Real Museums maintained their prolific activity concerning the Bisalhães pottery, with dozens of workshops (“small potters”) realized, at the Museums or at schools of all the Municipality.
2017 – Original show, “Clay – wet soil where the boot slips”, with the participation of the community of Vila Real.
2016-2020 – The Bisalhães pottery is highlighted in all the National and International Cultural and Tourism Fairs where the City Council participates, such as BTL (Lisbon) and Xantar (Ourense, Spain).
2018.11.29 – First Edition of the National Encounter on Bisalhães Black Pottery, in the Vila Real Theatre.
2018 – In association with the CTT (National Post Office), a series of stamps was created, allusive to the Bisalhães black pottery.
2016-2020 – Every edition of the “Pitoresco – Street Art and Graffiti Festival” had interventions allusive to Black pottery.
2015.05.01 – Tribute to the Bisalhães potters in a new roundabout in Vila Real, followed by the registration in the National Inventory and the announcement of the application to UNESCO.
2017-2019 – Bisalhães black pottery was the theme to several communications in national events.
2016-2020 – Presence in national and international media, in more than 40 TV shows, radio programs and publications.
2016-2020 – Publications, promotional flyers from Bisalhães black pottery.
2019 – Exhibition “Caruma - A look at Bisalhães”, organized by the Vila Velha Museum, under the supervision of Vila Real City Council.
2017-2020 – Acquisition of black pottery by the Vila Real City Council for its collection and for institutional offers.
2016-2017 – Bridge construction between Almodena and Vila Marim, one of the main routes to reach Bisalhães and Mondrões.
2016-2020 – Support the “Covilhete Brotherhood”.
2020 - Bituminous paving of Bisalhães main street (work already assigned, to be done in early 2021).
B.3.e.
Dépenses budgétaires
Veuillez fournir le détail des montants des fonds utilisés pour la mise en œuvre de chaque activité (si possible, en dollars des États-Unis), en indiquant dans chaque cas l’origine du financement (sources gouvernementales, contributions en nature des communautés, etc.).
Budget
2016-2020 - Requalification of the potters’ sale and working places in Vila Real. 7096,35€
2016-2019 – Support to the potters’ participation at “Feira dos Pucarinhos”. In 2020, because of the pandemic state, it took place in the Archaeologic Museum.1500€
2017-2019 – “Black Night”, an event that proposes gatherings, dinner and amusement with the focus on the black pottery. The Covid-19 pandemic prevented its concretization, tin 2020. 41.772,5€
2016-2020 – The Vila Real Museums maintained their prolific activity concerning the Bisalhães pottery, with dozens of workshops (“small potters”) realized, at the Museums or at schools of all the Municipality.1730€
2017 – Original show, “Clay – wet soil where the boot slips”, with the participation of the community of Vila Real. 6.860,81€
2016-2020 – The Bisalhães pottery is highlighted in all the National and International Cultural and Tourism Fairs where the City Council participates, such as BTL (Lisbon) and Xantar (Ourense, Spain).4500€
2018.11.29 – First Edition of the National Encounter on Bisalhães Black Pottery, in the Vila Real Theatre. 2035,11€
2018 – In association with the CTT (National Post Office), a series of stamps was created, allusive to the Bisalhães black pottery. 50€
2016-2020 – every edition of the “Pitoresco – Street Art and Graffiti Festival” had interventions allusive to Black pottery. 2500€
2015.05.01 – Tribute to the Bisalhães potters in a new roundabout in Vila Real, followed by the registration in the National Inventory and the announcement of the application to UNESCO. 19.464,85€
2017-2019 – Bisalhães black pottery was the theme to several communications in national events. 500€
2016-2020 – Presence in national and international media, in more than 40 TV shows, radio programs and publications.1889€
2016-2020 – Publications, promotional flyers from Bisalhães black pottery. 2975€
2019 – Exhibition “Caruma - A look at Bisalhães”, organized by the Vila Velha Museum, under the supervision of Vila Real City Council. 2794€
2017-2020 – Acquisition of black pottery by the Vila Real City Council for its collection and for institutional offers. 8.867,18€
2016-2017 – Bridge construction between Almodena and Vila Marim, one of the main routes to reach Bisalhães and Mondrões. 155 000€
2016-2020 – Support the “Covilhete Brotherhood”. 2500€
2020 - Bituminous paving of Bisalhães main street (work already assigned, to be done in early 2021). 45 824,28€.
B.3.f.
Efficacité globale des activités de sauvegarde
Procédez à une évaluation globale de l'efficacité des activités menées pour parvenir aux résultats escomptés et de l'utilisation des fonds nécessaires à leur mise en œuvre. Veuillez indiquer de quelles manières les activités ont contribué à l’obtention des résultats et si d'autres activités auraient été mieux adaptées à cette fin. Indiquez aussi si les mêmes résultats auraient pu être obtenus avec de moindres ressources financières, si les ressources humaines disponibles étaient appropriées et si les communautés, groupes et individus concernés auraient pu participer davantage.
Overall effectiveness of the safeguarding activities
The last four years have been very important for Bisalhães black pottery. Even if some of the activities considered in the safeguarding plan didn’t took place, there was an investment in the divulgation of the potters and of the pottery. On the other side, Bisalhães black pottery was the theme to a big number of urban art interventions, as well as subject for studies, academic works and several scientific publications and communications in heritage and handcraft events. Radio and TV shows took place, inviting regional, national and international public to know and visit Vila Real and Bisalhães. The pottery was also included in important tourism routes, such as the National Road N 2, and visits to Bisalhães almost triplicated. The potters’ sale and working points suffered interventions, i.e. new painting and pre-installation of electricity – though the potters didn’t yet terminated the process.
After the inscription, and thanks to the new visibility of the element, the demand of pottery increased, the local restaurants invested in presentation with Bisalhães pottery and the majority of regional institutions started to choose Bisalhães pottery trophies, to offer in their activities, following the example of the City Council.
The safeguarding plan preconized activities in four main areas: Support to practitioners, Training and Education, Economic value and Heritage and Scientific Enhancement. In the first area, the measures weren’t quite effective, as already shown. As for Training and Education: the firs contacts with the Institutions identified was very positive, but the world economic and social context didn’t help to the implementation of the activities proposed, such as the professional training courses for new craftsmen or the inclusion of Bisalhães black pottery in the arts and crafts promotion programmes currently in place. We hope that it can occur in the following years.
Nevertheless, the dissemination and public awareness-raising in the community, particularly among the younger generations in Bisalhães and Vila Real, and the organisation and implementation of training courses and educational activities related to black pottery in municipal museums was a success.
As to the economic value, some of the activities will be implemented in 2021 and 2020, mainly the ones that comprehend physical intervention in Bisalhães and in Vila Real. The Certification of Bisalhães black pottery under the "Arts and Crafts Promotion Programme" and to be used in cooking, must go on in the near future.
Some of the Heritage and Scientific Enhancement area activities took place but were penalized by the economic crisis and by the pandemic state.
C
Telmo
C. Mise à jour des mesures de sauvegarde
C.1.
Plan de sauvegarde mis à jour
Veuillez fournir une mise à jour du plan de sauvegarde inclus dans le dossier de candidature ou dans le précédent rapport. En particulier, veuillez donner des informations détaillées comme suit :
- a. Quels sont les objectifs principaux visés et les résultats concrets attendus ?
- b. Quelles sont les activités principales à mener pour atteindre ces résultats attendus ? Veuillez décrire les activités en détail et dans l'ordre d'exécution, en démontrant leur faisabilité.
- c. Comment le ou les États parties concernés soutiennent-ils la mise en œuvre du plan de sauvegarde mis à jour ?
Updated safeguarding plan
The Vila Real City Council maintains the primary objectives that were established four years ago:
-Preventing the disappearance of the knowledge associated with the manufacture of Bisalhães black pottery;
-Raising-awareness among younger generations regarding this tradition;
-Creating conditions to improve the economic sustainability of this traditional craft;
-Improvement of the working conditions for the existing potters;
-Strengthening the profitability of this craft.
In order to do so, we will execute the Program that was presented and validated to EU financial funding, in a total of approximately 143.000€. Other activities, that are considered important but are not included in that Program, are supposed to encumber the City Council Budget in circa 100.000€.
Key activities:
a) Support to potters in obtaining and transporting the clay from its origin to their workplace;
b) Maintenance of the support given to potters' travel and participation in "Feira dos Pucarinhos" and in other fairs and exhibitions;
c) Professional Training Courses for new craftsmen to be implemented with the collaboration of current practitioners and in partnership with local entities, such as NERVIR (the Vila Real Regional Business Association) and UTAD (University of Trás-os-Montes and Alto Douro);
d) Establishment of a protocol with IEFP - Institute of Employment and Vocational Training to include Bisalhães black pottery in the arts and crafts promotion programmes;
e) Dissemination and public awareness-raising in the community, particularly among the younger generations in Bisalhães and Vila Real;
f) Organisation and implementation of training courses and educational activities related to black pottery in municipal museums;
g) Organisation of activities for children in the city's cultural facilities;
h) Publication and re-printing of editions for young people about Bisalhães black pottery and its associated traditions;
i) Improvement and redesigning of the existing visiting itinerary in the village of Bisalhães, to include all potters’ working places, kilns and shops;
j) Revision of the signage related to the structures in the village of Bisalhães associated with the manufacture of black earthenware;
k) Renovation of the existing signage in the city of Vila Real to better direct visitors to potters’ working shops/stalls and indicate the way to the village of Bisalhães;
l) Certification of Bisalhães black pottery under the "Arts and Crafts Promotion Programme";
m) Certification of Bisalhães black pottery to be used in cooking;
n) Strengthening the promotion of Bisalhães black pottery in Vila Real Tourism Office, by enhancing the information available;
o) Undertaking new temporary and touring exhibitions, and pursuing a plan to publish information about them;
p) Edition and reedition of cultural, ethnographic and tourism publications related to Bisalhães black pottery, aimed at different age levels, with a particular focus on young people and children;
q) Creation of a video and exhibition concerning specifically women’s work and its importance in the manufacturing process;
r) Redesign, update and translation into different languages the existing website about Bisalhães black pottery (http://www.nervir.pt/bisalhaes/) to include updated information about potters and their work and reinforce the site's scientific content, in collaboration with the NERVIR Business Association.
C.2.
Calendrier des activités à venir
Veuillez fournir un calendrier du plan de sauvegarde mis à jour (sur une période d’environ quatre ans).
01065
Timetable
a) Support to potters in obtaining and transporting the clay from its origin to their workplace – 2021-2024;
b) Maintenance of the support given to potters' travel and participation in "Feira dos Pucarinhos" and in other fairs and exhibitions – 2021-2024;
c) Professional Training Courses for new craftsmen to be implemented with the collaboration of current practitioners and in partnership with local entities, such as NERVIR (the Vila Real Regional Business Association) and UTAD (University of Trás-os-Montes and Alto Douro) – 2023;
d) Establishment of a protocol with IEFP - Institute of Employment and Vocational Training to include Bisalhães black pottery in the arts and crafts promotion programmes – 2023;
e) Dissemination and public awareness-raising in the community, particularly among the younger generations in Bisalhães and Vila Real – 2021-2024;
f) Organisation and implementation of training courses and educational activities related to black pottery in municipal museums – 2021-2024;
g) Organisation of activities for children in the city's cultural facilities – 2021-2024;
h) Publication and re-printing of editions for young people about Bisalhães black pottery and its associated traditions – 2021-2022;
i) Improvement and redesigning of the existing visiting itinerary in the village of Bisalhães, to include all potters’ working places, kilns and shops – 2021;
j) Revision of the signage related to the structures in the village of Bisalhães associated with the manufacture of black earthenware – 2021-2024;
k) Renovation of the existing signage in the city of Vila Real to better direct visitors to potters’ working shops/stalls and indicate the way to the village of Bisalhães – 2021;
l) Certification of Bisalhães black pottery under the "Arts and Crafts Promotion Programme" – 2021;
m) Certification of Bisalhães black pottery to be used in cooking – 2021;
n) Strengthening the promotion of Bisalhães black pottery in Vila Real Tourism Office, by enhancing the information available – 2021-2024;
o) Undertaking new temporary and touring exhibitions, and pursuing a plan to publish information about them – 2021-2022;
p) Edition and reedition of cultural, ethnographic and tourism publications related to Bisalhães black pottery, aimed at different age levels, with a particular focus on young people and children – 2021-2024;
q) Creation of a video and exhibition concerning specifically women’s work and its importance in the manufacturing process – 2021;
r) Redesign, update and translation into different languages the existing website about Bisalhães black pottery (http://www.nervir.pt/bisalhaes/) to include updated information about potters and their work and reinforce the site's scientific content, in collaboration with the NERVIR Business Association – 2021-2024.
C.3.
Budget des activités à venir
Veuillez fournir les estimations des fonds requis pour la mise en œuvre du plan de sauvegarde actualisé (si possible, en dollars des États-Unis), en identifiant les ressources disponibles (sources gouvernementales, contributions en nature des communautés, etc.)
Budget
In order to implement the present safeguarding plan, the City Council will execute the Program that was presented and validated to EU financial funding, in a total of approximately 143.000€ (EUF). Other activities, that are considered important but are not included in that Program, are supposed to encumber the City Council Budget in circa 100.000€ (VRB). The funds EUF and VRB will be distributed according to the following activities:
a) Support to potters in obtaining and transporting the clay from its origin to their workplace – Vila Real City Council Activity Plan and Budget (VRB)
b) Maintenance of the support given to potters' travel and participation in "Feira dos Pucarinhos" and in other fairs and exhibitions – (VRB)
c) Professional Training Courses for new craftsmen to be implemented with the collaboration of current practitioners and in partnership with local entities, such as NERVIR (the Vila Real Regional Business Association) and UTAD (University of Trás-os-Montes and Alto Douro) – included in the Program presented to EU financial funding (EUF)
d) Establishment of a protocol with IEFP - Institute of Employment and Vocational Training to include Bisalhães black pottery in the arts and crafts promotion programmes – (EUF)
e) Dissemination and public awareness-raising in the community, particularly among the younger generations in Bisalhães and Vila Real – (EUF)
f) Organisation and implementation of training courses and educational activities related to black pottery in municipal museums – (EUF)
g) Organisation of activities for children in the city's cultural facilities – (EUF)
h) Publication and re-printing of editions for young people about Bisalhães black pottery and its associated traditions – (EUF)
i) Improvement and redesigning of the existing visiting itinerary in the village of Bisalhães, to include all potters’ working places, kilns and shops – (EUF)
j) Revision of the signage related to the structures in the village of Bisalhães associated with the manufacture of black earthenware – (EUF)
k) Renovation of the existing signage in the city of Vila Real to better direct visitors to potters’ working shops/stalls and indicate the way to the village of Bisalhães – (EUF)
l) Certification of Bisalhães black pottery under the "Arts and Crafts Promotion Programme" – (EUF)
m) Certification of Bisalhães black pottery to be used in cooking – (EUF)
n) Strengthening the promotion of Bisalhães black pottery in Vila Real Tourism Office, by enhancing the information available – (VRB)
o) Undertaking new temporary and touring exhibitions, and pursuing a plan to publish information about them – (EUF)
p) Edition and reedition of cultural, ethnographic and tourism publications related to Bisalhães black pottery, aimed at different age levels, with a particular focus on young people and children – (EUF)
q) Creation of a video and exhibition concerning specifically women’s work and its importance in the manufacturing process–(EUF)
r) Redesign, update and translation into different languages the existing website about Bisalhães black pottery (http://www.nervir.pt/bisalhaes/) to include updated information about potters and their work and reinforce the site's scientific content, in collaboration with the NERVIR Business Association–(VRB)
C.4.
Participation des communautés
Veuillez décrire comment les communautés, groupes et individus ainsi que les organisations non gouvernementales pertinentes ont été impliqués, y compris en termes de rôles du genre, dans la mise à jour du plan de sauvegarde et comment ils seront impliqués dans sa mise en œuvre.
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Community participation
As a result of the concern expressed by the potters and several local institutions about the possible disappearance of this traditional sort of pottery, Vila Real City Council considered that Bisalhães Black Pottery Manufacturing Process would be best safeguarded if recognized both nationally and internationally. Accordingly, it maintained contacts with practitioners and other relevant stakeholders to participate in the implementation of the current safeguarding plan.
Vila Real City Council has also promoted the development of partnerships with several local and regional entities that have made efforts in recent years to preserve Bisalhães pottery. Mondrões and Vila Real Parish Councils, for example, will play active roles in the implementation of several activities among the community and their territory.
NERVIR Association will also be actively involved, thus contributing to the redefinition of the initiatives to be implemented, such as the organisation of new training courses. It has also agreed to reedit existing publications on black pottery, and will redesign Bisalhães pottery website created in 2000.
The University UTAD will become a key partner in safeguarding the tradition. In addition to seeking greater proximity between the potters' activity and the scientific community in the fields of heritage and anthropology, the common goal is to promote further research and the development of projects in several of the courses taught at universities.
C.5.
Contexte institutionnel
Veuillez indiquer quelles institutions sont en charge de la gestion locale et de la sauvegarde de l'élément inscrit sur la Liste de sauvegarde urgente, notamment :
- a. l'(les) organisme(s) compétent(s) impliqué(s) dans sa gestion et/ou sa sauvegarde ;
- b. l'(les) organisation(s) de la communauté ou du groupe concernée(s) par l'élément et sa sauvegarde.
2008-05-21
Institutional context
Safeguarding the Bisalhães black pottery manufacturing process is mainly responsibility of the potters themselves. Although they don’t have an association that represent them, the Vila Real City Council is making an effort on documenting all de process stages, and on creating links between the local community and the craftsmen. The Vila Real City Council tries to connect all the interested parties mainly through the Culture City Council, and technically through the Municipal Museums team, especially its director, Dr. Gina Telmo.
D
Gina
D. Participation des communautés à l'établissement du présent rapport
Décrivez les mesures qui ont été prises pour assurer la plus large participation possible des communautés, des groupes et, le cas échéant, des individus ainsi que des organisations non gouvernementales pertinentes concernés pendant la préparation du présent rapport.
Participation of communities in preparing this report
For the execution of this report, we took into account the actions/opinions of the various entities that during these four years had a proactive role in the promotion, tourism development and safeguarding of Bisalhães black pottery, because only in this way, it was possible to compile such a high number of activities carried out: various services in Vila Real City Council (Museums, Cultural Services, Infrastructure Division, Municipal Theater, Municipal Library, Literary Guild, Tourism, Education), Mondrões and Vila Real Parish Council, NERVIR, Schools in the Municipality of Vila Real, Turismo de Portugal.
We also took into account the various independent studies and thesies carried out on this theme, which point out strategies so that this ancestral art is not lost and, on the contrary, that it is reinvented and perpetuated over time.
The community of Vila Real and, in particular, Bisalhães (with natural collaboration and commitment of potters and their families), was also considered in terms of their future expectations, desires, apprehensions and dynamics that they intend for their art.
E. Signature au nom de l'État partie
Le rapport doit être signé par un responsable habilité à le signer pour le compte de l’État, avec la mention de son nom, de son titre et de la date de soumission.
Nom
Rui Jorge Cordeiro Gonçalves dos Santos
Titre
The Honourable Mayor of Vila Real
Date
11-12-2020
Signature
Rui Jorge Cordeiro Gonçalves dos Santos
Chargement du rapport périodique signé
© 2015, by Paulo Araújo 
